2020 

Materials: Book, silkworm

Dimensions: 1.5 (H) x 52 (L) x 42 (W) cm

Exhibition Location: Asia Society Triennial, New York, U.S.A.

This is a set of stone chairs carved with Xu Bing’s Square Word Calligraphy that reads an ancient poem “Reflections While Reading” by Zhu Xi (Southern Song Dynasty). “A small square pond, an uncovered mirror where sunlight and clouds linger and leave. I asked how it stays so clear. It said spring water keeps flowing in.” With Square Word Calligraphy, Xu Bing devises a system of writing English words in rectangular arrangements resembling Chinese characters. By intertwining the art of Chinese calligraphy and English letters, Xu Bing invents a new hybrid of language.

2019

Materials: Natural debris attached to frosted glass panel

Exhibition Location: Suzhou Museum, Suzhou

In 2004, I was installing an exhibition at the East Asian Art Museum in Germany. During the Second World War, 90 percent of the collection was moved to the former Soviet Union by the Soviet Red Army. Only some photos of the lost artwork are left. I hope to use the large glass showcases surrounding the existing space to create a new work that combines local history and my cultural background. I saw the potted plants behind the frosted glass wall in the office area of the airport during a connecting flight, which looked like a smudged Chinese painting. At this time, I thought of the large glass cabinets of the museum and the missing art pieces and got the inspiration for Background Story."

- Xu Bing

2019 

Materials: Natural debris attached to frosted glass panel

Exhibition Location: Indonesia, Jakarta, Museum MACAN

In 2004, I was installing an exhibition at the East Asian Art Museum in Germany. During the Second World War, 90 percent of the collection was moved to the former Soviet Union by the Soviet Red Army. Only some photos of the lost artwork are left. I hope to use the large glass showcases surrounding the existing space to create a new work that combines local history and my cultural background. I saw the potted plants behind the frosted glass wall in the office area of the airport during a connecting flight, which looked like a smudged Chinese painting. At this time, I thought of the large glass cabinets of the museum and the missing art pieces and got the inspiration for Background Story."

- Xu Bing

2019

Materials: Natural debris attached to frosted glass panel

Exhibition Location: Indonesia, Jakarta, Museum MACAN

In 2004, I was installing an exhibition at the East Asian Art Museum in Germany. During the Second World War, 90 percent of the collection was moved to the former Soviet Union by the Soviet Red Army. Only some photos of the lost artwork are left. I hope to use the large glass showcases surrounding the existing space to create a new work that combines local history and my cultural background. I saw the potted plants behind the frosted glass wall in the office area of the airport during a connecting flight, which looked like a smudged Chinese painting. At this time, I thought of the large glass cabinets of the museum and the missing art pieces and got the inspiration for Background Story."

- Xu Bing

2019 

Materials: Light box and natural debris

Location: Art Basel Hong Kong

"In 2004, I was installing an exhibition at the East Asian Art Museum in Germany. During the Second World War, 90 percent of the collection was moved to the former Soviet Union by the Soviet Red Army. Only some photos of the lost artwork are left. I hope to use the large glass showcases surrounding the existing space to create a new work that combines local history and my cultural background. I saw the potted plants behind the frosted glass wall in the office area of the airport during a connecting flight, which looked like a smudged Chinese painting. At this time, I thought of the large glass cabinets of the museum and the missing art pieces and got the inspiration for Background Story."

- Xu Bing

Life on Earth found sustenance when water permeated the crevices of the land, just as the beauty of Chinese ink and wash emerged when the brush-pen glided through the cracks of xuan paper. Within the sphere of China’s highest esteemed figures, those who possess deep wisdom always leave room for the natural and adapt accordingly. They hold reverence for nature and align their actions with the intentions of heaven.